Timorese Women as Veteran

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A day before celebration of international women day March 8, I joined an on-air literary radio program with my Timorese poet friend Abe Barreto at Radio Liberdade Dili which aired on every Wednesday evening started at 6.15 pm at local time. A week before we came to this program, we had to have an advance planning and preparation on the theme we will present, how should we present and do a mini research for supporting materials for the discussion.

When discussed on choosing the theme, it came to our mind that in the first week of month, Timor-Leste celebrated a national veteran day on March 3 and on March 8 will celebrate international women day. Then, we got the idea to combine the two celebration into one theme ‘Women as Veteran’. For this theme Abe then invited Mena Reis, one of a Timorese senior woman activist, ex-resistance member and a poet to join us on the discussion and she participated.

The discussion started with describing the link of the two celebration on veteran day and women day, how we perceive women’s role and significance as veteran and what literary action can be done to help maintain the precious values as a veteran and as a women. That evening, at Radio Liberdade studio, we presented our discussion along with some intermezzos of musics and poetry recitals from Mena Reis with her own poem title Feto Timor-Lorosae (Women of East Timor), Abe with his poem about Mother and myself reciting poems by Rupi Kaur and Yacinta Kurniasih (an indonesian feminist writer) with feminism themefor which we called ‘literary salad’.

Throughout the discussion among three of us, I grabbed some important point for my reflection as following:

  • The word ‘veteran’ is not only about a title given to the ex-resistence individual/group for their military contribution as we may generally perceive but is indeed referring to the capacity, ability or skills they master for a long period. In the context of Timor-Leste’s resistance history on seizing independence, this capacity is about being able to survive physically and mentally amidst the invasion of merciless destroying bombs , poverty, terror, threat, humiliation, violence, abuse, lost of family member and one’s own life, grieve, and other miseries during the occupation time. Apart of surviving, is to learn to fight back and this required a through process of learning in an individually or collectively process on how to organize and succeeded with the guerilla.
  • In Timor-Leste, when talking about veteran, most of the attention goes to men veteran rather than women veteran as media tends to expose more of men veteran’s stories and thoughts rather than women veterans which suppose to also received equal praise and recognizement as men veteran. Not only that, even many women veterans until now still live in difficult life and not receiving any support. Furthermore, many women veterans have not received any follow up notice on the lost of the family members during the occupation time which leave their grief remain.
  • Another saddening issue is that women veteran tend to be seen by society as less intellectual and less capable. This is not good because society should understand more about the women veteran’s struggle internally and externally. Despite of receiving less praise and credit, some women veterans continue to show their serious effort on contributing to development of the country with all their capability (even if it is limited) in the area if education and other sectors in their community. One of great example today is Ms. Maria ‘Kasian’ who opened a kindergarten school with her money received from veteran subsidy. This is example of the important value that women veteran want to share to the society and to the new generation as an example that commitment for contributing to development should started from our self first.
  • However, women’s role and battle as ‘veteran’ (not only the military veteran in literal meaning) are not yet over but instead came up with a new context of role and battle according to the latest life fashion issues. Women’s veteran role is nowadays becomes more challenging in all aspects of life that requires women’s ability to cope with, such as in the social, politic economic, health, education area, etc. Until today, many women in Timor-Leste still facing injustice, gender inequity, discrimination, violation which mostly tends to be approved by the society and lack of system support when they need it the most. Thus, being a veteran for women to master and cope with all the life pattern struggle is an eternal role and perhaps a lifetime battle.
  • On the literary resources about women veteran’s contribution in Timor-Leste is still seen as lacking because again most of the stories tends to focus on male role and influence and speak little about women. However, nowadays, the chance to have these stories exposed is even greater and young generation should be encouraged to gather, write, read and share those stories so they can reflect and understand better the core value of Timorese struggle for independence.
  • Another issue highlighted on promoting literary work in Timor-Leste is the absence of copyright law to guarantee the protection of author’s work when producing literary work on women issues. This is indeed a challenge and request for government to consider as well since it is necessary to safeguard Timor-Leste’s stories to the current and future generation as references.

To conclude, I would say that today, every woman is a veteran and being a woman veteran is a lifetime role, a lifetime battle. To carry out this role is not solely women’s responsibility as support from all the relevant sectors like government, civil society and grassroots level collaboration from all parties, all genders and generation is extremely needed.

Happy Timor-Leste veteran day and Happy International Women’s day.

VZ

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Honesty is Very Expensive!

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Honesty is very expensive!
To be honest in a truth is very costly
As you walk according to the counsel of truth
You will get insults, hatred
People say ‘how arrogant you are, how stupid you are, how you do not know anything.
Step aside!’
‘Do not you be so self-righteous! Do not you be so sanctimonious!
Let the lies rule over everything to go smoothly!
Who are you to confront?

Really my brothers and sisters …
Lying is cheap and easy and keeps everything go smooth
We are sweet to each other
We call each other ‘friends’
But who wants to punish his heart to death?
Is it you or me?


My brothers and sisters…
Honesty for the truth is expensive
But it is the one who gives freedom of life!

 

VZ, March 24, 2016

Timor Runguranga: A Gulliverian Travel of David Palazon as an Alice in Wonderland.

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“A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.”
Ansel Adams

If there were a simple and practical way of time travelling around us today, then I would say that photography is one of it.

My first time encounter with David Palazon was back in 2013, at the office of the State Secretariat of Art and Culture (SSAC) in Villa Verde (today has moved to Praia dos Coqueiros Street), Dili,  when I was working with UNESCO Art and Culture Programme as  an administrative and programme assistant. At first sight, as a Timorese, I was a bit curious of David with his presence as a malae (foreigner in Tetum). Why does this malae willing to travel far away from Spain to Timor just to do all these fancy work of photography and all related stuff?

Before joining the UNESCO Art and Culture team, I used to think that art and culture is something fancy and has to be luxurious. But being introduced to David Palazon’s work as photographer and having the opportunity to witness his work with SSAC on the preservation programme of the tangible and intangible art and cultural heritage of Timor-Leste, made me realize the importance of art and culture documentation and preservation for Timor-Leste.

On doing his work of documenting the art and cultural events and objects in Timor-Leste through photography and videographical work, I saw that David’s passion and enthusiasm are painted in each of his work pieces.  In gathering all these artistic and meaningful documentation, David also engaged the Timorese fellows in a collaborative work and together each of them express their messages on each photographical work they have produced on how rich the Timor-Leste art and culture is. From that time, I start to believe that Timor-Leste is indeed a wonderful land of art and culture and I would always admire it and appreciate it as a Timorese.

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David Palazon (Stand in the middle from the first row behind) and his fellow source person friends of Timor Runguranga book.

However, despite being Timorese and one can say being the owner of all this Timorese richness of art and culture heritage, a question rose in mind, how can we continue to value and preserve these heritage of art of culture? How can we share the beauty of this value of Timor-Leste art and culture to our fellow Timorese and to the world around us? As Timorese, we may already carry out the role of valuing and preserving by maintaining the continuous practice of the heritage. On the other hand, in the context of Timor-Leste’s fluctuating development progress, more effort is necessary to encourage the act of valuing and preserving the Timor-Leste art and culture. One of these efforts, as I would concern, is to have the documentation. As without it, we would lose some significant things in life.

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Timor Runguranga is indeed has answered that concern of mine in a very artistic, satirical, mindful and yet heart-touching ways. When I received David’s invitation to attend the launching of the book in Timor Aid last year, I was kind of wondering, what exactly this photographical book would look like? The title word runguranga itself has caught my attention so much as it made think about messiness because runguranga as I understood it in Tetum, is everything related to messy and messiness. I had no idea why I pick up the book home only to keep it as collection and open a glimpse of it sometimes when I have a bit of free time. But once opening it, I start to promise myself that I have to go through the book and I did it at last.

After reading each page one by one, I laugh at myself on how I have underestimated this book. For me, looking at the pictures displayed inside it, has gave that sense of looking at the old family photo in a thick photo album. So nostalgic and emotional until you want to smile, laugh, frown and cry at the same time. Why? Because this book has captured how life has going on in Timor-Leste lately since its independence in 2000s. Within the decades, the runguranga essence that kept decorating the independence progress of Timor-Leste has brought us to learn many things as a new emerging country and that being runguranga has shaped us to grow along with the turmoil of the modern globalized world.

This book, being as a diary and memoir, has also capture the exchange of feelings as well as the exchange of collaboration between the insider and outsider who met in this small world of Timor-Leste and entwined them both in a world of rungurunga that only each of them can perceived when they were here. As some wise man has said; do not judge a book by its cover or do not judge people by its outer appearance then I would say do not judge a country if you have not been there. This book will confirm that saying with the collaborative work it displayed and the emotional sense each source person has shared.

This is why I found this book to be one of the inspiring photographic books I have ever seen. Apart of being a photo album, diary or memoir, this book, is also a fairytale storybook of Timor-Leste that one may share to their friends, family and children who would like to visit Timor-Leste or to see Timor-Leste in the past decades. I would also say that this book would be a collection of inspiration and motivation for me as a Timorese, to help advocate the art and culture preservation in Timor-Leste. As for the visitors who would like to know about Timor-Leste this book is very recommendable as an indirect tour guide.

To conclude, I would like to say that Timor Runguranga is the answer of my first impression quest to David himself which today I have called as maun (brother in Tetum) David, on why he is willing to travel  from far-far- away land of  Spain to Timor-Leste. By reflecting his Gulliverian journey throughout all territory of Timor-Leste in this book, I would call him ‘the male version of Alice in Wonderland’.

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To buy the book, please follow the link below:

http://www.blurb.com/b/7181097-timor-runguranga

Further infromation about David Palazon’s work can be found in this link:

https://davidpalazon.com/timor_runguranga/

ZV/VZ

I live in Dili and I love to read novels, watching movies, listen to beautiful musics and wrote things I found interesting.

Dili, 31 July 2017

A Good Leader

 

 

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Photo: Bougainvillea Flower

 

A good leader will point out the flaws his subordinates did and giving the advice to correct and suggest the subordinate improve thus, the subordinate can moving forward in a better way and the leader is valued for the changed he made on his/her subordinate.

On the other hand, a good leader shall not bring out the flaws his/her subordinate has and spread to the whole world because, at that moment when he/she did it, it is indeed a displaying of his/her own flaws as a leader him/herself.

Life Today

 

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Photo: Sunset in Dili, Timor-leste

 

Urgent, urgent, then it shattered.

One by one, they finally ended though they almost got the whole body of mine frozen.

Walking out from the gate, a light smile curved on my lips.

This life, although it is full of various pains, yet it always remains meaningful.

#life #poems #fragment #today #motivation #inspiration #spiritual